Selected poem by John Dryden

 A SONG FOR ST. CECILIA'S DAY

                 I.
            
            ROM harmony, from heavenly harmony,
            This universal frame began:
            When nature underneath a heap
            Of jarring atoms lay,
            And could not heave her head,
            The tuneful voice was heard from high,
            "Arise, ye more than dead."
            Then cold, and hot, and moist, and dry,
            In order to their stations leap,
            And Music's power obye.
            From harmony, from heavenly harmony,
            This universal frame began;
            From harmony to harmony
            Through all the compass of the notes it ran,
            The diapason closing full in man.
            
            II.
            
            What passion cannot music raise and quell?
            When Jubal struck the chorded shell,
            His listening brethren stood around,
            And, wondering, on their faces fell
            To worship that celestial sound:
            Less than a God they thought there could not dwell
            Within the hollow of that shell,
            That spoke so sweetly, and so well.
            What passion cannot Music raise and quell?
            
            III.
            
            The trumpet's loud clangor
            Excites us to arms
            With shrill notes of anger
            And mortal alarms.
            The double, double, double beat
            Of the thundering drum
            Cries, hark! the foes come:
            Charge, charge! 'tis too late to retreat.
            
            IV.
            
            The soft complaining flute,
            In dying notes discovers
            The woes of hopeless lovers;
            Whose dirge is whisper'd by the warbling lute.
            
            V.
            
            Sharp violins proclaim
            Their jealous pangs and desperation,
            Fury, frantic indignation,
            Depth of pains, and height of passion,
            For the fair, disdainful dame.
            
            VI.
            
            But oh! what art can teach,
            What human voice can reach,
            The sacred organ's praise?
            Notes inspiring holy love,
            Notes that wing their heavenly ways
            To mend the choirs above.
            
            VII.
            
            Orpheus could lead the savage race;
            And trees uprooted left their place,
            Sequacious of the lyre:
            But bright Cecilia raised the wonder higher;
            When to her organ vocal breath was given,
            An angel heard, and straight appeared,
            Mistaking earth for heaven.
            
            Grand Chorus
            
            As from the power of sacred lays
            The spheres began to move,
            And sung the great Creator's praise
            To all the bless'd above;
            So when the last and dreadful hour
            This crumbling pageant shall devour,
            The trumpet shall be heard on high,
            The dead shall live, the living die,
            And Music shall untune the sky.